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国际期刊Journal of Chinese Cinemas“中国电影的翻译与传播”专刊已经上线。

本期专刊邀请了来自中国、法国、美国、日本等国家在电影翻译领域颇有研究的专家撰写相关论文，内容包括电影翻译在中国的历史、电影翻译中的完美误译、香港功夫电影的配音翻译、方言电影和纪录片的翻译、中国电影在法国的翻译和传播，以及外国影片在中国的配音演绎。各位学者以不同的路径和研究方法，深入探讨中国电影翻译与传播中的问题，形成国际对话，拓展了电影研究和翻译研究的学术空间。

本期专刊也是中外学者就中国电影的翻译与传播课题首次在国际权威期刊上进行学术成果的集中展示。

THE SPECIAL ISSUE ON THE TRANSLATION AND DISSEMINATION OF CHINESE CINEMAS OF JOURNAL OF CHINESE CINEMAS 2018（3）IS ONLINE

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自电影诞生以来，翻译就开始帮助电影超越语言和文化的障碍，实现全球传播。当电影于19世纪末传入中国之际，译员就通过现场解说的方式，帮助中国观众观赏西洋影戏。在一百多年的历史中，口头解说、译意风、字幕翻译、配音翻译等多种翻译方式促进了中外电影的相互传播和中外文化的交流交融。如今，在中国成为电影大国之时，翻译也肩负着历史的重任，帮助更多的观众看懂中国电影，促进中国电影的国际传播，助力中国成为具有国际影响力的电影强国。

From the very beginnings of the medium, translation has conquered language and cultural barriers and facilitated the dissemination of films. When film was brought into China at the end of the nineteenth century, live interpretation was often provided to help the Chinese audience to understand “western shadow plays”. Various forms of film translation, such as interpretation, voiceover, subtitling and dubbing have helped the cross-cultural communication between China and the world. Translated foreign films have become an integral part of Chinese cinemas and translated Chinese films have in turn enriched the concept of world cinema.

Journal of Chinese Cinemas 2018年第3期由中国传媒大学金海娜副教授担任客座主编，以“中国电影的翻译与传播”为专题，邀请来自中国、法国、美国、日本等国家在电影翻译领域颇有研究的专家撰写相关论文，内容包括电影翻译在中国的历史、电影翻译中的完美误译、香港功夫电影的配音翻译、方言电影和纪录片的翻译、中国电影在法国的翻译和传播，以及外国影片在中国的配音演绎。各位学者以不同的路径和研究方法，深入探讨中国电影翻译与传播中的问题，形成国际对话，拓展了电影研究和翻译研究的学术空间。本期专刊也是中外学者就中国电影的翻译与传播课题首次在国际权威期刊上进行学术成果的集中展示。

The special issue of Journal Chinese Cinemas on the Translation and Dissemination of Chinese Cinemas is guest edited by Jin Haina, associate professor in audiovisual translation in Communication University of China and the contributors include outstanding scholars in film translation from China, France, USA and Japan. Offering fresh visions and innovative studies on various important issues, including history of film translation, mistranslation, the dubbing of Hong Kong kung fu films, the subtitling of Chinese dialect films, the subtitling of independent Chinese documentaries, the dubbing of foreign films in China and a vivid personal account of the translation and distribution of Chinese cinemas in France, this special issue aims to generate international dialogue by presenting diverse approaches to the translation and dissemination of Chinese cinemas.

目录

Table of Contents

Introduction: The translation and dissemination of Chinese cinemas

Haina Jin,

Communication University of China

I am not Madame Bovary: Felicitous mistranslation

Bérénice Reynaud,

California Institute of the Arts

Dubbese fu: The kung fu wave and the aesthetics of imperfect lip synchronization

Aaron Han Joon Magnan-Park,

Hong Kong University

Translation and distribution of Chinese films in France: A personal account

Marie-Claire Kuo,

French National Research Center

Translated by Yin Mingming,

Communication University of China

The Liberty Coerced by Limitation: On Subtitling Fengming: A Chinese Memoir

Akiyama Tamako,

University of Tokyo & Rikkyo University

Translated by Markus Nornes,

University of Michigan 

Chinese-dialect film and its translation: A case study of The World (2004)

Dang Li,

Shanghai Jiaotong University 

Exchanging faces, matching voices: Dubbing foreign films in China

Weijia Du,

University of Illinois

Journal of Chinese Cinemas

Journal of Chinese Cinemas由劳特里奇出版社出版，华盛顿大学Yomi Braester教授和加州大学伯克利分校包卫红教授担任主编，主要刊登有关华语电影范畴的高质量学术论文，为华语电影的学术研究提供讨论和交流的平台。

Journal of Chinese Cinemas is a major refereed academic publication devoted to the study of Chinese film, drawing on the recent world-wide growth of interest in Chinese cinemas. Professor Yomi Braester and Professor Bao Weihong are the editors in chief of JCC.